1829-1912 Related Paintings of william r clark :. | fuchs karavan av snovesslor startar mot sydpolen fran shackletonlagret vid weddellhavet | amerikanen charles hall dog av hjartslag,da han forsta gangen forsokte na nordpolen 1871 | paccard balmat och de flesta andra andra alpinister tog sig upp till mont blancs topp pa nordsidan | aldert smith forelaste med ljusbilder under sex dr i londom om bestigningen av mont blanc 1851. detta bevisar det stara intresset for bergsbestigning | ovan den islamitiska seden att stena den store djavulen tecknades av burton i muna i nejd | Related Artists:
Nardo di CioneItalian Byzantine Style Painter, active 1343-ca.1365
was an Italian painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painter's Guild of Florence. While Orcagna has been noted as the more accomplished artist, Nardo developed his own unique style, described as a pronounced lyrical vein, a feeling for poetic values, strong human sympathies and great sensitivity to colour as a means of subtle differentiation and soft modeling. The brothers collaborated on a number of works from their studio together, including the decorations from the Cappella Strozzi in the Santa Maria Novella. While Orcagna painted the altarpiece, Nardo executed the frescoes of The Last Judgment, Paradise and Hell.
solanaWalter Crane,RWS1845-1915
English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks. His early illustrative works included vignette wood-engravings for John R. Capel Wise's The New Forest: Its History and its Scenery (1862).